Tags: class, economic sociology, emotion/desire, gender, globalization, immigration/citizenship, inequality, organizations/occupations/work, care deficit, motherhood, subtitles/CC, 00 to 05 mins
Summary: The anthology film Paris, je t'aime (2006) features 18 short films set in different neighborhoods—or, "arrondissements"—across Paris. The fifth segment, entitled Loin du 16e (which translates into "Far from the 16th"), takes place in the 16th arrondissement; it was written and directed by Walter Salles and Daniela Thomas, and stars Catalina Sandino Moreno. The film tells the story of a young immigrant mother who leaves her baby in daycare so she can travel far across town to care for the baby of her wealthy employer; she sings the same Spanish lullaby ("Qué Linda Manita") to stop both babies from crying. Despite being short in length and dialogue, the film offers multiple avenues of inquiry for teaching about many core sociological concepts, including gender, motherhood, immigration, class, globalization, and transnational labor markets. In their edited anthology Global Woman: Nannies, Maids, and Sex Workers in the New Economy, Barbara Ehrenreich and Arlie Hochschild highlight the various dimensions—both positive and negative—of immigrant women's entry into "First World" labor markets, which include immigrant women's ability to send money back to home countries, First World women's ability to pursue upwardly mobile paid careers, and emotional hardships and physical strains associated with leaving family and loved ones behind. Ehrenreich and Hochschild argue that this transnational economic process results in a care deficit, in which transnational women's labor supplies much needed care in rich countries, at the expense of creating a deficit of care in home countries. Instructors can focus on the following features of the film to facilitate discussion and analysis: (1) The significance of distance and space. What are the different environments the woman must travel through for her commute to work? Have students read about the 16th arrondissement and then ask: What is the meaning of the film's title, "Far from the 16th"? (2) The significance of power relations. What do we know about the relationship between the woman and her employer (whose face we never see)? What is the significance of the employer's request that the woman work late? Should the woman receive overtime pay for this extra work? Do you think she'll receive it? Why or why not? (3) The significance of the lullaby. Although she sings the same lullaby with the same purpose (to calm a crying baby), how do the two scenes differ? Focus on the environment in which the lullaby is sung, the recipient of the lullaby, the woman's relationship to each of these recipients, and how these factors shape the emotions attached to the lullaby. To view Loin du 16e in French, click here; to view it with Spanish subtitles, click here. For another clip that examines social inequality by interrogating ideas about distance, space, and lullaby, click here.
Submitted By: Valerie Chepp
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