Picture
Al Pacino tries to save his story from corporate censorship.
Tags: capitalism, corporations, knowledge, marx/marxism, media, political economy, theory, censorship, fox, ideology, monsanto, news, 00 to 05 mins06 to 10 mins
Year: 2003; 1999
Length: 10:20; 4:17
Access: YouTube (clip from The Corporation)
                YouTube (clip from The Insider)

Summary: This pair of excerpts exposes corporate censorship of the news via a documentary (The Corporation) and through a Hollywood film (The Insider). In recent years, the news media has become increasingly concentrated and controlled by corporations. The implications of this is that corporations are responsible to shareholders and must earn high profits. This concentration of corporate news has led to conflicts of interests when a news source wants to air a story that could hurt their advertisers or their shareholders. The first clip from The Corporation shows this process. In 1997, investigative journalists Steve Wilson and Jane Akre of Fox News, had prepared a story about Monsanto and the negative impacts of their bovine growth hormones (e.g. their milk was potentially carcinogenic to humans). Monsanto was an advertiser for the Fox News channel, and the company threatened to both sue Fox and pull their ads. Because this would have cost Fox News significant advertising revenues, Fox decided to edit the news story so Monsanto would not pull their ads. The clip describes the process of 83 rewrites that either removed or minimized any negative effects of the hormone, until the journalists were ultimately fired and the story never aired. The second clip, from The Insider, features Al Pacino arguing how a story at 60 Minutes was being censored because of financial interests. The film is based on a true story about a whistle blower who worked for Big Tobacco and CBS was hesitant to air the interview on 60 Minutes because it might jeopardize the sale of CBS to Westinghouse Electric. Both clips illustrate the political economy of news media and Marx's concept of ideology, in which ideas and knowledge reflect the interest of the ruling class. Marx argues that the class having the means of material production (e.g. technology, money, labor, tools, etc.) also has control over the means of intellectual production (newspapers, schools, books, broadcast media, etc). One can see Marx’s claim come to life with the influence that Monsanto had over Fox News. Corporate interests shaped what news was aired, and a Fox executive later told the journalists "the news is what we say it is"; when the journalists used the courts to fight back, a Florida appeals court ruled that falsifying the news is not against the law. In both cases, financial interests shaped what constituted the news, and how it was presented--ultimately shaping knowledge in the interest of the dominant class.

Submitted By: Avery Winston and Paul Dean

 
 
Picture
An illustration of economic inequality in the United States
Tags: capitalism, class, economic sociology, inequality, knowledge, class analysis, ideology, wealth, 06 to 10 mins
Year: 2012
Length: 6:24
Access: YouTube

Summary: With an impressive suite of illustrations, this viral video takes viewers through the findings of a 2011 study conducted by Dan Ariely and Michael Norton, who asked respondents two basic questions. First, they asked people to report what they thought the ideal distribution of wealth in the United States should be, then they asked them how they thought wealth was actually distributed. The results suggest that, on average, Americans believe economic inequality is greater than what is ideal—i.e., the wealth gap is too large. The researchers then presented the actual distribution of wealth in the United States and compared it with both the ideal distribution and respondents' estimate of the actual distribution, and based on this comparison, it seems reasonably clear that while Americans may believe the wealth gap is too large, they are tragically misinformed about just how large it actually is. How is it that Americans are unaware of the magnitude of this inequality? Ariely and Norton do not provide an answer, but the question is worth pursuing. Consider the fact that publics have long proven a capacity to know about a wide range of phenomena that is effectively invisible. For instance, most people in the United States know about the dwarf planet Pluto, despite never seeing it with their own eyes. Thanks in large part to the mainstream media and the reverberations of social media, people in New Mexico and Montana know about the recent Boston Marathon bombings and can even recount vivid details about the event, even if they have never been to Boston and have no intention of ever visiting. But unlike Pluto and the tragedies of distant cities, the telltale signs of inequality are everywhere. In Boston, New Mexico, Montana, and virtually every other point on the map, one can find poverty within a few miles or blocks of obscene wealth; yet the true magnitude of U.S. inequality eludes most Americans. This video is not merely useful for wrapping one's head around the extent of inequality in the United States—that the top 1% holds 40% of the nation's wealth—it is also a useful segue into a discussion that connects the material facts of economic inequality to the ideological forces that ensure it remains uninterrogated. Explaining how a system of economic inequality persists requires more than simply identifying the disparities; it also requires an explanation about how publics remain relatively unaware of these disparities. For a similar analysis in a PBS clip, see here.

Submitted By: Lester Andrist

 
 
Picture
The US labor movement is in decline (Photo: Gallo/Getty)
Tags: capitalism, class, economic sociology, inequality, marx/marxism, organizations/occupations/work, political economy, social mvmts/social change/resistance, labor, labor law, occupy wall street, unions, 21 to 60 mins
Year: 2011
Length: 24:00
Access: aljazeera.com

Summary: This mini-documentary from Al Jazeera's Faultlines analyses the contemporary US labor movement. The video begins by documenting the plight of American workers today, including rising unemployment, stagnating wages, and higher benefit costs. It emphasizes the importance of National Labor Relations Act (aka Wagner Act) that provides a governmental structure to allow collective bargaining. We also hear from several union critics that provide the typical complaints against unions. For example, business leaders talk about their choices to shift jobs to lower-paying states and countries to lower costs. Republican politicians and business representatives argue that public workers must accept the lower wages and benefits typical of private sector employment. A corporate lawyer argues that unions must change and that if they don't understand the pressures business is under, then they will become obsolete. The video also emphasizes the struggle over labor law in several ways. For example, it documents Wisconsin's Governor Scott Walker who attempted to strip the right to collective bargaining from public workers. While it notes Obama's support for unions, it notes the fight over Employee Free Choice Act, which died when Obama failed to push it through the Senate because they prioritized other issues (e.g. health care) over labor law. Obama created the White House Jobs and Competitiveness Council which was tasked with developing a policy to create jobs, but appointed a corporate CEO (from GE, which has eliminated many American jobs) to lead it, drawing the criticism of powerless workers. Toward the end, the video discusses the occupy movement and the development of alliances to promote labor rights and economic justice. It identifies the new alliance-building that has reinvigorated the labor movement, but contrasts the frequent top-down organization of labor unions with the bottom-up organization of OWS. Viewers may reflect on the assertion that without active unions, would companies be willing to pay their workers decent wages or to implement better benefits? What should the union movement do to become more effective? One worker noted that there is "orchestrated movement to vilify and blame unions for all our problems," which is also reflected in this anti-union ad. How is public sentiment about unions shaped in the US? Why does the US have the weakest labor movement of all industrialized countries?

Submitted By: Paul Dean


 
 
Picture
Film exposes big drug companies' dangerous marketing tactics.
Tags: capitalism, commodification, consumption/consumerism, corporations, health/medicine, marketing/brands, pharmaceutical industry, prescription drugs, 21 to 60 mins
Year: 2007
Length: 49:23
Access: YouTube (trailer)

Summary: The filmmakers of this documentary argue that "missing in the health care debate is how drug companies are putting your and your family's safety at risk in order to make more money." Money Talks: Profits Before Patient Safety exposes the questionable tactics that big drug companies use to make record profits by playing with the safety of our health care. Using misleading advertising, attractive "drug reps" who wine and dine doctors, and other unethical practices, the drug industry makes billions of dollars every year selling us unsafe, unnecessary, and overpriced drugs. The film gives an in-depth, academic perspective on the questionable marketing tactics of the pharmaceutical industry, and features the commentary of investigative journalists, former pharmaceutical sales representatives, and medical professionals including Dr. John Abramson, author of Overdo$ed America, and Alex Sugerman-Brozan, director of the Prescription Access Litigation Project. Other notable interviewees include Dr. Bob Goodman of Columbia University, founder of the "No Free Lunch" program, and Dr. Jerome Hoffman of UCLA Medical School. Money Talks: Profits Before Patient Safety was chosen by the American Library Association as one of the most notable films for adults in 2008.

Submitted By: Holly Mosher 

 
 
Picture
"Poor Us" examines the changing world of poverty.
Tags: capitalism, class, globalization, historical sociology, inequality, methodology/statistics, political/economy, absolute poverty, antônio conselheiro, charity, colonialism, comparative historical analysis, industrial revolution, poorhouse, relative poverty, social history, welfare state, workhouse, 21 to 60 mins
Year: 2013
Length: 58:05
Access: YouTube

Summary: This exquisitely animated documentary tells a sweeping social history of world poverty. You, the viewer, are the protagonist in this film floating through the meandering jet stream of world history. "If we want to make poverty history," the narrator explains, "then first, we need to understand the history of poverty." The documentary appropriately begins in prehistory (2:35), and in a more or less linear fashion, moves through humanity's early large scale civilizations, including ancient Egypt (4:40) and ancient Greece (5:40). Zipping forward to the Middle Ages, the story unfolds again in Cairo (8:20), and then lingers in Paris of the same period (10:50). The history of colonialism is woven into the story with a look at the Spanish conquest of the Inca Empire (14:20), the Portuguese conquest of West Africa (16:20 and 34:40), and British colonial rule in India (36:00). Poverty in a neocolonial context is later examined in Ghana (38:50 and 43:55), and China makes appearances as the site of both model relief efforts and tragic famine (18:30 and 43:20). At the 20:30 mark the story returns to Western Europe in order to consider the impact of the Industrial Revolution on poverty, and then moves toward a conclusion which contemplates the changes wrought by globalization. While this 58-minute film understandably fails to deliver a truly exhaustive account of the the world-historical processes associated with poverty, the film would be an excellent tool for illustrating comparative historical analysis in sociology. Systematic comparison is of course central to comparative historical work, and this film succeeds in illustrating the importance of comparison by briefly drawing on eighteenth century China as a rare instance where prosperity for some didn't necessarily come at the cost of desperate poverty for others. What does the film's analysis of poverty gain by including this "negative" case in the story? One answer is that the case of China complicates the viewer's understanding of poverty by exposing its causes as far less determined and far more contingent.

Submitted By: Lester Andrist

 
 
Picture
Part-time and other contingent work is on the rise.
Tags:  capitalism, class, economic sociology, inequality, marx/marxism, organizations/occupations/work, political economy, contingent work, cooperatives, flexible labor, temp work, 21 to 60 mins
Year: 2012
Length: 25:24
Access: YouTube

Summary:  Contingent workers include part-time work, independent contractors, self-employed, agency temps, and on-call workers. In this segment of MSNBC's Up with Chris Hayes, Hayes discusses contingent work with his four guests from academia and worker advocate groups. After a brief introduction, the video focuses on contingent labor in the economy today (2:16-10:59) and moves to a more critical conversation of possible alternative worker organizations (11:00-25:24). It notes that contingent workers comprise 30% of the American workforce, which has increased dramatically in the last 10-20 years. It includes both low-skilled labor (e.g. janitors) and high-skilled labor (professors, computer engineers), who usually do not receive overtime pay, unemployment benefits, health care, etc. While some workers might prefer this relationship, it is mostly capitalists that benefit from this arrangement and the guests discuss the role of power in shaping contingent labor. They argue that business owners strive to maintain a flexible workforce, avoid providing benefits, and workers have much less bargaining power (through unions) today and have little control over this relationship. In the second portion of the segment, the guests discuss the desirability of this model and possible alternatives, especially worker cooperatives. The guests differ on if they see an inherent tension between employers and contingent labor, and viewers may reflect on how they believe work should be organized. If you prefer alternative arrangements, how would we get there? How does contingent labor fit into Marx's theory of capitalism and worker resistance?

Submitted By: Paul Dean

 
 
Picture
Rapper Macklemore surrounded by Nike products and symbols
Tags: art/musiccapitalism, commodification, consumption/consumerism, marketing/brands, marx/marxism, theory, baudrillard, commodity fetishism, exchange-value, labor, lacan, surplus value, signified,  signifier, symbols, use-value, 00 to 05 mins 
Year: 2011
Length: 5:33
Access: YouTube

Summary: Seattle rapper Macklemore's music video for his thought-provoking song “Wings” is an excellent way to introduce students to Marx’s theory of commodity fetishism. Commodity fetishism is the process of ascribing magic “phantom-like” qualities to an object, whereby the human labour required to make that object is lost once the object is associated with a monetary value for exchange. Under capitalism, once the object emerges as a commodity that has been assigned a monetary value for equivalent universal exchange, it is fetishized, meaning that consumers come to believe that the object has intrinsic value in and of itself. The object’s value appears to come from the commodity, rather than the human labor that produced it. In “Wings,” Macklemore associates this process of commodity fetishism with Nike Air Max athletic shoes, explaining his belief as a child that the shoes would make him into a superstar athlete like Michael Jordan. The value of Nike shoes is displaced from the labour time that went into creating them, and instead is infused with an intrinsic value that comes into being through celebrity endorsement or symbols such as the iconic Nike “Swoosh.” “Wings” becomes a statement on how market capitalism seduces us into purchasing products that promise to make our lives better. Macklemore comes to this realization through the song’s narrative, exclaiming, “Nike tricked us all,” before finally realizing as the song comes to an end that “it’s just another pair of shoes.” Through tracks like “Wings,” Macklemore explores the darker side of consumption, urging listeners to critically rethink the messages imposed on us in capitalist societies that make us feel the need to constantly consume. This video can also be used to teach and distinguish among Marx's notions of use-value and exchange-value, as well as his concept of surplus-value, which is the surplus or profit earned by the capitalist, above and beyond the use-value (labour power) required to produce the object. Viewers may be urged to identify the use-, exchange-, and surplus-values of the Nike shoe in the video. How is value made? Why do we pay $180 for a pair of Nike shoes, but only $20 for a pair of Sketcher shoes? In addition, this video bolsters discussion about the power of symbols and signification (and Baudrillard’s notion of sign-value) in creating cultural meaning embodied in a commodity sign (e.g., the Swoosh on the Nike shoe, or the Apple symbol on an iPhone). Instructors can ask students to name other symbols in popular culture and what they mean to them. Drawing upon Jacques Lacan’s idea of the signifier and signified, instructors can expand the discussion of symbols by asking students to discuss the role of brand symbols in their life. Have they become a part of their identity? Their culture? Their daily lives? In the end, Macklemore speaks to this point: his Nikes are “so much more than just a pair of shoes.” They are “what I am… the source of my youth… the dream that they sold to you.” For another post on The Sociological Cinema that uses Macklemore's music videos to teach sociological concepts, click here.

Submitted By: Patricia Louie

 
 
Picture
Lynn Marie Smith of AFT-Michigan at a protest rally
Tags: capitalism, class, economic sociology, inequality, organizations/occupations/work, benefits, exploitation, jobs, part-time employment, profit, 00 to 05 mins 
Length: 1:54 
Year: 2010
Access: YouTube

Summary: Written and performed by Lynn Marie Smith of the labor union organization AFT Michigan, this catchy song (sung to the tune of Stevie Wonder's "Part-Time Lover") addresses the plight of the part-time worker. Everyone agrees we need more jobs, but is part-time employment the answer? Some people may just need extra money for a short time, or can only work part time due to other responsibilities; for these people, part-time work is a boon. However, for many other workers, part-time jobs are a trap. In fact, a growing employer practice is to require part-time workers to have around-the-clock availability. And if such workers cannot report for duty when called, or are even found to have another job, they may be terminated. One of the biggest financial problems with part-time employment is that such workers not only may make less, but also may not qualify for benefits. And with the new health care provisions that will be enacted under the Patient Protection and Affordable Care Act (i.e., "Obamacare"), there appear to be clear incentives for employers to increasingly transform jobs from full-time to part-time status. Indeed, a recent article by Furchtgott-Roth of the Manhattan Institute suggests that employers could theoretically reduce their cost-per-labor-hour by half should they go to an all part-time workforce in order to minimize mandate penalties. Yet, there is already evidence that shifting to part-time workers may generate backlash. For example, in anticipation of health care insurance changes that became effective January 1, 2013, Darden Restaurants, owner of Olive Garden and Red Lobster, announced in October that it would be moving even more of its 185,000 employees over to part-time status, despite the fact that about 70 percent were already part-time. However, citing adverse public reaction leading to lower sales in test market areas, Darden just announced that it was suspending such efforts for now. Another example is the coordinated strike for better wages and solidarity in New York of fast food workers in November 2012. This clip addressing the plight of the part-time worker can be used to initiate class discussion on how shifting work arrangements in the new service economy create precarious job situations for many American workers. Further, viewers can be encouraged to consider implications of these shifting arrangements for worker benefits and job satifaction. (Note: A version of this post originally appeared on SoUnequal.)

Submitted By: Marta Gordon & Michael Miller

 
 
Picture
Tags: capitalism, class, corporations, inequality, economic sociology, organizations/occupations/work, 21 to 60 mins
Year:  2007
Length:  24:15
Access:  PBS

Summary: Although The American Dream says that hard work will lead to wealth and success, it doesn't seem to apply to most of Americans. Indeed, the smallest economic returns go to those generally laboring the hardest of all: the working poor. Billionaire Thomas Peterffy argues in his anti-Obama ad that America's rich will lose motivation to work if they are required to pay more taxes. But while preaching the value of hard work, he fails to note that the rich have virtually monopolized income gains in recent years. Reflecting on the unequal opportunity for financial security that the class structure presents, the late Beth Shulman, in her 2005 book, The Betrayal of Work, was one of the first to examine the diminishing well-being of the working poor. The above clip features Shulman's interview on PBS's NOW, and at about the 12:20 mark, she observes that while worker productivity has grown significantly, higher incomes have not trickled down to those in the bottom reaches of the American class structure. Indeed, she notes in this 2007 interview that "The top 1% is garnering 80% of income gains" (Note that today the top 1% is garnering over 90% of income gains, according to Emmanuel Saenz). With this being said, how is it possible for most American workers, and particularly the poor, to sustain their dream of a better life when their incomes remain so low and stagnant that they continue to struggle just to get by? (Originally posted on SoUnequal).

Submitted By: Tara McQuay

 
 
Picture
Tags: capitalism, class, economic sociology, inequality, marx/marxism, political economy, social mvmts/social change/resistance, theory, class consciousness, exploitation, hegemony, ideology, 00 to 05 mins
Year: 1998
Length: 1:14
Access: YouTube

Summary: Disney's Pixar film, A Bug’s Life, follows the life of a young ant, Flik, who leads a rebellion against greedy grasshoppers that feed on food harvested by the ants. In this clip, Hopper, the head Grasshopper, berates one of his minions for suggesting that the grasshoppers give in to the demands of one ant. Hopper points out that one ant's actions may be miniscule in effect, but several ants acting in unified collective action can overthrow the entire system that allows the grasshoppers to live such a comfortable life of abundance. This clip can be used to stimulate discussion on several Marxian theories and concepts. For example, given that the grasshoppers rely on the surplus of the ants' labor to maintain their own way of life, it illustrates Marx's theory of exploitation. But as Hopper notes here, "those puny little ants outnumber us 100-to-1, and if they figure that out, there goes our way of life." So if the ants were to recognize their class interests in this system, thereby attaining class consciousness, they would be likely to organize and fight back against the exploitative grasshoppers. He further notes "it's not about food, it's about keeping those ants in line." Viewers may reflect on what Hopper means by this. Specifically, the grasshoppers cannot give in to one ant's demands and believe they are entitled to the food they harvested. They have to keep the ants from recognizing their right to the food, and therefore must maintain ideological control (i.e. belief in ideas that support the ruling class) over the oppressed ants. The film clip can also be used in illustrating social movements and inequalities in general because it provides a cogent example of collective agency and its possible relationship to individual resistance.

Submitted By: Chris Hardnack