Tags: children/youth, emotion/desire, inequality, rural/urban, social mvmts/social change/resistance, violence, domestic abuse, homelessness, human rights, pedagogy of affection, poverty, sex trafficking, street children, subtitles/CC, 21 to 60 mins
Year: 2007
Length: 47:33
Access: www.hummingbirdmovie.com

Summary: Often, after learning about the numerous social problems plaguing our society, students ask: "But what can we do?" and sometimes they express a sense of hopeless by suggesting that "things will never change." Hummingbird, an award-winning documentary film, was in some ways created in this same spirit of curiosity about the possibility of change amidst seemingly insurmountable social problems. Filmmaker Holly Mosher explains at the outset of the film why she visited the Brazilian city of Recife: "I visited because I wanted to see if it was really possible for kids who have lived all their lives amongst violence and misery to become part of a society that has always rejected them." The film chronicles the story of how two nonprofits in Brazil use the pedagogy of affection to help street kids and women break the vicious cycle of domestic violence. The pedagogy of affection is a method of social change whereby people help people, steeped in the belief that affection, touch, and caring are essential to holistic health and personhood. Viewers are encouraged to consider the various ways social change is effected and represented in the film, and specifically the role of grassroots organizations and communities that embrace hope and "an indefatigable spirit in the face of threats, financial difficulties, and a culture seemingly unable or unwilling to reform itself." At the 44:19 minute mark, Cecy Prestrello, co-founder of the non-profit Coletivo Mulher Vida (Women’s Life Collective), recounts the following story: "There was a fire in the forest. And all the animals were running around, crazed. Then a hummingbird began to pick up water in its beak and put it on the fire. And the lion stopped and watched. He said 'Are you crazy hummingbird? You have to protect yourself, like all the others. What are you doing?' The hummingbird replied 'I am doing my part…and what about you? What are you doing?'" Prestrello's perspective on social change would pair well with Allan G. Johnson's piece, "What Can We Do? Becoming Part of the Solution."

Submitted By: Holly Mosher 

Tags:  children/youth, crime/law/deviance, juvenile delinquincy, subtitles/CC, 00 to 05 mins
Year: 1961
Length: 5:44
Access: YouTube

Summary: Why do people break society's laws and norms? In this scene ("Gee, Officer Krupke") from the musical West Side Story, members of a gang (the Jets) are confronted by a police officer who sees them as trouble makers. After he leaves, the men mock various authority figures by sarcastically singing about the causes of their behavior. For example, they sing "all our mothers are junkies ... we're misunderstood ... deep down inside us, there is good ... my parents treat me rough ... they didn't want to have me ... we're psychologically disturbed." Despite their sarcasm, they accurately identify the various reasons that psychologists, judges, social workers, and society more generally gives for explaining crime and deviance, further noting "juvenile delinquency is a social disease." As an intro to teaching a module on Crime & Deviance I regularly introduce the idea that there is more than one point of view of why people offend. I ask students before and after showing the clip to mind map as many reasons as they can think of as to "Why do People Offend?" Viewers may be encouraged to identify the various factors shaping crime and deviance, and how people perceive these factors from different social positions. Going deeper, we can also consider the role of reflexivity in their actions. What does their sarcasm say about these causes and their attempt to understand them? In his essay, “Some Politically Incorrect Reflections on Violence in France and Related Matters,” Slavoj Zizek argues this about violent offenders: "when really pressed for the reasons for his violence, and if capable of minimal theoretical reflection, he will suddenly start to talk like social workers, sociologists and social psychologists, quoting diminished social mobility, rising insecurity, the disintegration of paternal authority, the lack of maternal love in his early childhood… in short, he will provide a more or less precise psycho-sociological account of his acts so dear to enlightened liberals eager to 'understand' the violent youth as a tragic victim of their social and familial conditions." As noted in The Kugelmass Episodes, "the members of the Jets can easily re-frame their own experiences to win the maximum of sympathy from each successive 'handler' ... [but] the Jets aren’t simply making fun of the notion of delinquency. They are genuinely confused about their own actions, and suspect that somebody educated has the answer, but meanwhile there is a fundamental and unresolvable problem: the Jets like their gang, and the people in authority don’t."

Submitted By: Stephen Base

Tags: children/youth, gender, violence, femininity,  types of domestic abuse, socialization, 00 to 05 mins 
Year: 2002
Length: 3:41
Access: YouTube

Summary: Although it may happen behind closed doors, domestic violence is a public issue that has serious psychological, social, and physical consequences. This short clip (start 0:00; end 3:41) from the documentary Mickey Mouse Monopoly (2002) is useful for illustrating how pop cultural messages in children's media socialize girls (and boys) to accept and overlook intimate partner violence. This clip brings to light the normalization and romanticization of partner abuse in Beauty and the Beast. As scholars in the documentary argue, the film teaches girls that a woman should be patient and supportive of her abusive partner in order to help him change his behavior (i.e., transform into a prince). Such messages are harmful when, in reality, women and girls should be encouraged to leave abusive relationships and seek help if their partner is mean, violent, and coercive. After screening the clip, instructors might ask some of the following questions: What are the types of partner abuse we see in this clip? How does Disney sugarcoat the Beast’s abuse as “just a short temper?” How might these messages about the normalization and romanticization of partner abuse be dangerous to children? The clip is a great segue into a broader discussion of how femininity is represented in Disney films. What desirable feminine qualities are associated with princesses (e.g., beauty, helplessness, passivity, etc)? What kinds of undesirable qualities are associated with female villains in Disney films (e.g., independent, single, agentic, powerful, ugly, etc.)? For additional teaching resources, check out this study guide for Mickey Mouse Monopoly, complete with assignment ideas and additional discussion questions.

Submitted By: Patricia Louie

Tags: children/youth, gender, psychology/social psychology, cognitive-development theory, gender constancy, socialization, 00 to 05 mins
Year: 2009
Length: 0:41
Access: YouTube

Summary: This short clip is useful for teaching cognitive-development theory or, the way child development affects gender socialization. Specifically, the clip demonstrates and challenges the concept of gender constancy and how our understanding of gender as something constant and immutable is not inherent. Rather, what we consider natural or obvious is the product of social learning, i.e., socialization. Note that the older girl seems to regard the categories of "boy" and "girl" as more stable and less susceptible to change.

Submitted By: Michelle Sandhoff

Tags: children/youth, gender, marketing/brands, media, sex/sexuality, gender binary, 00 to 05 mins
Year: 2010
Length: 0:29
Access: YouTube

Summary: This diaper advertisement from Australia is an excellent illustration of how sex and gender are treated as the same thing. Sociologists have long drawn attention to the difference between sex and gender, where sex refers to biological or physiological differences such as chromosomes, hormonal make-up, and sex organs (internal and external) and gender refers to characteristics that a society or culture define as masculine or feminine. In this ad, diapers targeting physiological differences are marketed with images of gender differences (and stereotypical ones at that). I find this advertisement useful for getting students to discuss gender binaries and the difference between sex and gender.

Submitted By: Michelle Sandhoff

Tags: children/youth, gender, inequality, sex/sexuality, dating, hook-up, intimacy, intimate relationships, romance, youth culture, 21 to 60 mins
Year: 2011
Length: 30:00
Access: no online access (YouTube preview)

Summary: In this lecture, Dr. Paula England explores the hookup culture in college campuses and describes gendered differences in this "new social form of relationship". As the Media Education Foundation notes, "England mobilizes a wealth of data to begin to chart whether the hookup phenomenon represents some kind of fundamental change, or whether we’re simply seeing age-old gender patterns dressed up in new social forms." Drawing upon qualitative research with heterosexual Stanford undergraduate students and online surveys study with 18 private and public universities, her findings show that hooking up is a new social form where sexual activity precedes – rather than follows – dates or other expressions of relational intent. She also documents gender differences and inequalities in traditional dating and courtship practices. For example, women who initiate and have frequent hook-ups are perceived as "sluts"; pleasure is organized around men in that women are expected to give oral sex to their hookup partners, and report lower levels of orgasm. When used in class, students may be given pre-film questions and after viewing the lecture, use post-viewing questions provided by the study guide from the Media Education Foundation. Viewers may consider whether dating is replaced by hooking-up in contemporary youth culture and if women can be empowered by this new social form of relationship.

Submitted By: Nihal Celik

Tags:  children/youth, class, economic sociology, immigration/citizenship, inequality, rural/urban, american dream, class mobility, inner-city, poverty, 06 to 10 mins
Year: 2011
Length: 7:23
Access: YouTube

Summary: This video from The Boston Globe tells the story of two young brothers trying to overcome difficult barriers to achieve the "American Dream" (read associated article here). Johnny and George live in Dorchester, MA, a Boston crime and poverty "hot spot." In addition to their economic issues, they face many family challenges (e.g. their father committed suicide 3 years ago, and their mother has a disability preventing her from working outside of the home). As the older brother notes, the most challenging thing is probably "living every day without our dad and with a single parent, who can barely afford to give us any of the resources we need." But while people in such neighborhoods are often depicted as being hopeless, Johnny and George are very hopeful and seek a better life. They work hard to achieve grades at the top of their classes, earn their own spending money through tutoring, and have received help from a local mentor and non-profit organizations. Viewers might reflect on how Johnny and George's story reflects the "pull yourself up by your bootstraps" ideology of the American, but that everyone needs help to do so. Despite their challenges, they see themselves as more fortunate than many others. How does the class structure shape an individual's ability to live a successful life, and what types of social and economic resources are necessary to help those less fortunate in attaining it? What is the effect of this ideology on society? Given that the boys are Vietnamese, viewers should also be cautioned away from explaining their situation with the "model minority" myth, which obscures the struggles of many impoverished Asian immigrants. Viewers may also be interested in this documentary on social class, the challenges of living on minimum wage, and George Carlin's critique of the American Dream.

Image by Yoon S. Byun/Boston Globe

Submitted By: Cathryn Brubaker, PhD

Tags: art/music, children/youth, discourse/language, emotion/desire, gender, media, sex/sexuality, feminist criticism, hip hop, male gaze, madonna-whore complex, misogyny, rap, rhetoric, sexism, slut shaming, socialization,
06 to 10 mins
Year: 2012
Length: 5:35
Access: YouTube

Summary: In this music video, rap artist Lupe Fiasco addresses the issue of images in the media and how they are absorbed by children and incorporated into their lives as adults. He appears to be critical of the hip hop music industry for sending confusing messages when it broadcasts words like "bitch," sometimes as a deprecation, and other times as a compliment (e.g., Kanye West calls Kim Kardashian a "perfect bitch" in a recent song he wrote). Before Fiasco, cultural scholars already contemplated the use of the word "bitch" in hip hop. For instance, in her book Prophets of the Hood, Imani Perry discusses the way women artists deploy the term, and how some have even succeeded in subverting its negative connotations in an effort to create new space for women. It is clear, however, Fiasco is plotting a different course with his criticism. He raps: "You see the fruit of the confusion / He caught in a reality / She caught in an illusion." While it should be said that neither character can see things more realistically than the other, the line suggests that Fiasco is really interested in the term's inherent dualism, and in this way, his criticism maps onto a broader feminist theory that attempts to expose the modern workings of what Freud originally coined as the Madonna-whore complex. This complex refers to a dualism in Western patriarchal discourse, which seeks to circumscribe the behavior of women and the desires of men. On the one hand, women are rewarded for being the sexual play objects of men (i.e., whores), and on the other hand, women are given clear messages that true grace only derives from marital chastity (i.e., Madonna). The video might be useful for triggering a discussion about how this game is clearly rigged for women, but it can also be used to begin a discussion about how the discourse negatively affects men.

Submitted By: Kim Ward

Tags: children/youth, emotion/desire, gender, violence, femininity, masculinity, socialization, subtitles/CC, 21 to 60 mins
Year: 1998
Length: 23:24
Access: Films On Demand

Summary: In this archived episode of ABC News 20/20, John Stossel investigates why girls and boys express their feelings differently. Drawing from an interview with Dr. William Pollack of the Harvard Medical School and author of Real Boys, and researchers from Emory University and the University of Connecticut, Stossel encounters what was still a fairly radical idea in 1998: parents, peers, and "society" encourage girls to express their feelings but stigmatize boys for doing the same. As Pollack explains, the consequence of this is that girls tend to feel more comfortable with their emotions and are able relieve their stress and sadness by talking about their emotions. Boys, in contrast, are unable to express their feelings and often act out with violence against others. Despite the expert testimony and research on the subject, Stossel and his colleagues seem reluctant to give up the idea that boys are biologically determined to hide emotion, and in the clip's conclusion, he expresses the evolutionary fantasy that men are biologically predisposed to hide emotions because they had to "stand in the woods with a spear [and] be quiet." The clip works well as a means of discussing the powerful influence of socialization to a topic rife with biological determinism. Before I show the clip in my class I have students write down the number of times they have cried in the last 6 months, and I ask them to make a note of how many times they cried in front of others. Then, once the clip is finished, I ask them to compare their answers to the ones given by the children in the clip and to reflect on their own socialization.

Submitted By: Nihal Celik

Tags: children/youth, psychology/social psychology, race/ethnicity, ideal beauty, internalized racism, representation, self-esteem, self-image, social experiment, socialization, 06 to 10 mins 
Year: 2005
Length: 7:15
Access: YouTube

Summary:  In this youth-directed short documentary film produced by Reel Works Teen Filmmaking, director Kiri Davis interviews other young African American women to gain insight about their experiences with race, racism, and beauty standards, particularly as they relate to skin color, hair, and facial features. Davis also re-conducts Dr. Kenneth Clark's famous “doll test” from the 1940s, which was used in the historic desegregation case of Brown v. Board of Education (1954) to show the psychological effects of segregation on black children. Davis's recreation of this experiment shows that, sadly, despite being conducted 60 years later, the results of the experiment are strikingly similar to the original. That is, 15 of the 21 black children in Davis's experiment are shown to prefer the white doll, often describing the white doll as "nice" and the black doll as "bad." A Girl Like Me can be used to teach numerous concepts, including various theories related to the self (e.g., self-image, self-esteem), internalized racism, and socialization. Click here for another clip on The Sociological Cinema that re-creates a version of this doll experiment in order to illustrate children's racial bias.

Submitted By: Valerie Chepp